The Water Dancer meets The Prophets in this spare, gripping, and beautifully rendered novel exploring love and friendship among a group of enslaved Black strivers in the mid-19th century.
They call themselves the Stolen. Their owners call them captives. They are taught their captors’ tongues and their beliefs but they have a language and rituals all their own.
In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball Greene, they never know what harm may befall them: inhumane physical toil in the plantation’s quarry by day, a beating by night, or the sale of a loved one at any moment. It’s that cruel practice—the wanton destruction of love, the belief that Black people aren’t even capable of loving—that hurts the most.
It hurts the reserved and stubborn William, who finds himself falling for Margaret, a small but mighty woman with self-possession beyond her years. And it hurts Cato, whose first love, Iris, was sold off with no forewarning. He now finds solace in his hearty band of friends, including William, who is like a brother; Margaret; Little Zander; and Milton, a gifted artist. There is also Pandora, with thick braids and long limbs, whose beauty calls to him.
Their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence. He tells them that with freedom comes the right to choose the small things—when to dine, when to begin and end work—as well as the big things, such as whom and how to love. Do they follow the preacher and pursue the unknown? Confined in a landscape marked by deceit and uncertainty, who can they trust?
In an elegant work of monumental imagination that will reorient how we think of the legacy of America’s shameful past, Jabari Asim presents a beautiful, powerful, and elegiac novel that examines intimacy and longing in the quarters while asking a vital question: What would happen if an enslaved person risked everything for love?
About the Author
Jabari Asim is a writer and multidisciplinary artist. He directs the MFA program in creative writing at Emerson College, where he is also the Elma Lewis Distinguished Fellow in Social Justice. His nonfiction books include The N Word: Who Can Say It, Who Shouldn’t, and Why; What Obama Means: For Our Culture, Our Politics, Our Future; Not Guilty: Twelve Black Men Speak Out on Law, Justice, and Life; and We Can’t Breathe: On Black Lives, White Lies, and the Art of Survival. His books for children include Whose Toes Are Those? and Preaching to the Chickens: The Story of Young John Lewis. His works of fiction include A Taste of Honey and Only the Strong.
“Asim delivers a fresh, sweeping, must-read tale.” —New York Times
“I'm a sucker for stories that place love between Black people at the center of settings where, traditionally, Black love was thought impossible or unimaginable. I'm particularly drawn to books that re-examine that dreadful period in American history that we think we already know everything about — antebellum slavery — to reveal the layers, testimonies, and nuances that had previously been ignored. And to have this all drawn magnificently by the brilliant Jabari Asim makes this an absolute must-read for me.” —Robert Jones Jr., Entertainment Weekly (most anticipated books of 2022)
“[M]ajestic…Asim demonstrates all a novel can be: soaring and grounded, personal and epic, thrilling and quiet. A wonder-filled novel about the power of words and stories to bring hope to the most difficult situations.” —Kirkus (starred review)
“A mesmerizing touch of magical realism… As the enslaved embark on a soaring adventure in pursuit of freedom, a gripping and satisfying crescendo caps this lyrical story." —Booklist (starred review)
“Asim delivers a searing and redemptive story of slavery and survival…At once intimate and majestic, the prose marries a gripping narrative with an unforgettable exploration of the power of stories, language, and hope. With a bold vision, Asim demonstrates his remarkable gifts.” —Publishers Weekly (starred review)
“Exceptional. A splendid addition to the library of fiction on American slavery, which—given the centuries it existed—is not as large as it could be. Skillfully wielding a number of literary tools, including a grand way with language, Asim reveals the slaves’ everyday world away from the lash and brutality: the loves, the laughter, the age-old tussles with life. Yonder builds a permanent place in a reader’s mind. Asim is to be applauded.” —Edward P. Jones, author of The Known World
“Jabari Asim’s masterful Yonder has no doubt set our Ancestors to dancing and rejoicing. A compelling and dazzling storyteller, Asim beautifully captures the depth of their bonds, intellect, and unwavering commitment to each other, honoring the fullness of their humanity against the backdrop of enslavement. This novel made me shout, cry, laugh, and, most of all, believe.” —Deesha Philyaw, author of The Secret Lives of Church Ladies
“The magic of Yonder is the hope and love and devotion that shine from its pages despite the darkness and brutality that surround its loving, beloved characters. Asim’s story is utterly absorbing. His people have wings; let them transport you.” —Margot Livesey, New York Times bestselling author of The Flight of Gemma Hardy
“Brilliant! A fresh telling of a story we think we already know, Yonder is wholly engrossing and expertly executed. With beautiful language laced with raw honesty, Jabari Asim has written a novel that I know will forever impact the way I think of the merciless nature of slavery and the enduring power of love.” —Sadeqa Johnson, internationally bestselling author of Yellow Wife
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